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Come Grow With Us

American Playwrights

  Preston Jones

 Preston Jones (Arthur W Wang Photographs)

Preston Jones, born and raised in Albuquerque, graduated from the University of New Mexico in 1960. Two years later he joined the Dallas Theater Center, where he became actively involved with the professional company as an actor, a director, and finally as a playwright.

 

When A Texas Trilogy was first produced by the Dallas Theater Center under Paul Baker's direction, the three plays broke all attendance records and received standing ovations. The first play in the trilogy, The Last Meeting of the Knights of the White Magnolia, was chosen by the American Playwrights Theatre as its 1975-76 offering, and the play was produced by numerous regional, university, and professional theater companies.

 

Richard L. Coe, the drama critic for the Washington Post, wrote: "Not since the Philadelphia premiere of Death of a Salesman have I been so profoundly satisfied . . . . The audience stood and cheered and I crouched in my seat fingering the tears from my eyes." (MORE)

 

 

 

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(L to R) Chris Standart; Michael Votta & Alaina Miller; Hugh Davis & Willie Judson Jr.

 

Director's Notes

This is an opinion page from the voices of ART

 

With one full theater season behind us, I am extremely excited about our first production to kick-off ART's 2008-09 season.

 

George S. Kaufman and Moss Hart's classic comedy The Man Who Came to Dinner is an exceptional piece of American theater, however, seasons of community theaters and high schools overdoing it have pushed this charming play into obscurity. Please note that I am not calling community theater or high school productions bad but pointing out that the play has received a bad rap by being done so many times by these groups that professional theaters shy away from doing it.

 

The other reason simply could be that it requires the scheduling 17 actors and additional technical staff that could drive any sane administrator completely bonkers. I refer to logistic not to personality.

 

The reasons why The Man Who Came to Dinner isn't performed as much as other Holiday classics will remain up to opinion. Personally, I'm glad no other local theaters, professional or not, have chosen to produce this play. Judging from early indications of rehearsals and the quality of talent, this show will be a hilarious and well-acted theatrical romp in which ART is proud to be presenting for your holiday entertainment.

 

We hope to see you there!


Matthew LaChiusa
Executive/Artistic Director

 

 

 

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