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THEATER SUPERSTITIONS

Opening Umbrellas on Stage

For over a century, opening umbrellas on stage has been preceived as bad luck. Hugget reports that the belief actually started in 1868 when an orchestra leader named Bob Williams, said good-bye to his theater company before going away for the weekend. He opened his umbrella while standing on the stage, then walked out into a very rainy day. An hour later he was standing on the stern of a boat, waving good-bye to a group of friends. As it sailed away from the dock, one of the engines exploded and Williams was instantly killed. The publicity seemed to say that the accident and the opening of the umbrella were connected. A theater superstition was born and lives to this day. As with many of the other superstitions, there is a 'counter spell'. This was especially needed with this belief, because occasionally an actor must open an umbrella as a stage direction in a play. If an actor opens the umbrella facing the ground good luck is restored.

 

 

FEBRUARY 2008

WHEN YA COMIN' BACK, RED RYDER?

 

"This is a review I was not going to write.  I am an actress sans any degree in the theatre arts.  This makes me an audience member without educational background. That said:   I had no prior knowledge of When You Comin' Back Red Ryder? by Mark Medoff.  Never even saw the movie.  I do remember Red Ryder as I was there when he heroically saved much of America (at least on the radio) pre TV, along with Tom Mix and John Wayne.   Having lived through now 4 major wars, I have come to shun and abhor violence.  It does not excite me; it turns me off completely and I would happily leave any area in which it exists.  And I do not just mean large-looming violence - I include the small works of violence people commit toward each other, like racial hatred, discrimination on religious, sexual preference, or body structure bias.   So - THE AMERICAN REPERTORY THEATER OF WNY, INC.'s production of the play, now on the stage at Theaterloft on Elmwood in Buffalo.  I went to see it last night, totally unaware of what I was going to see.  And I HATED the play.  It has every type of the aforementioned violence.  I wanted very much to leave as soon as possible.  The story of a self-hating boy who wants to leave his barren New Mexico life, his cruelty to the obese girl who obsesses on him and tries to make a life out of serving coffee and doughnuts; the crippled owner of a remote gas station; two travelers of intellect and wealth; and a giant whose mind has been warped by war, with a girl who uses her sex to acquire - anything - hardly the stuff of dreams and pleasurable watching.  The end of innocence.   And yet, I am still filled with it.  A credit to the actors who so repulsed, but fascinated me.  There is a lot of power here, almost too much.  But I don't know how it could have been less.  At almost every turn, the actors could have overdone; yet, with one exception (he being required to overact), they are restrained .  Very good work people.   To my mind, it is a play that should be seen because it is a microcosm of the world as we know it today - and it is very well done.  If you have the same rabbity feelings that I do, tie yourself to your seat.  There is much to gain."

 

Mary L

 

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